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I was off work last week for a stay-cation, and it was great. I actually felt rested for coming back to work. I did not plan my time, and I did not go anywhere (thought I might try to go visit some friends 3 hours away, but my budget is too tight to allow for gas money for that kind of trip). I read 2.25 books, handsewed an entire dress, finished up the plaid skirt, and planted my garden (no thanks to the weather; it snowed last Tuesday).

Tudor Summer

I cut out the linen for a smocked hemd, and handsewed an entire underdress from brown wool with linen thread. It is THE most BORING colour EVER but it was a delight to sew. I pulled threads to cut the skirt panels, and it was quite off-grain. Can't really tell now that it's attached to the bodice. I maybe made it too tight, but I was counting on the linen lining and wool stretching with wear. I haven't started the hemd yet, mostly bc I can't decide if I want to handsew it or machine the long bits, and bc I haven't finished the shifts I was sewing last year.

I haven't made a decision about an overdress. I don't think I have enough wool-anything to make one. I have 3m of teal which I want to keep for the PERFECT project, something I will wear lots bc its so beautiful, and 2m of dark olive green which isn't enough for anything substantial (and I was kind of planning to turn it into a teens-era skirt).

But the underdress is done, and it's swishy, and I love it.

Other Sewing

I didn't spend as much time in the sewing room as I could have. Looking back on the week, I'm not sure what I did lol. But I tried the table trick for my plaid skirt (stand next to a table and pin the table level around or just below the hip line, then measure off your skirt length that way), got it all marked properly, and then hemmed it AND set some closures. I thought I might get to shirtwaists, but aside from trying on an old one that I somehow cut too small? I didn't get back to that.

Garden

I lost a bunch of my seedlings since my last update, all of the pumpkins and 4 of the 6 zucchinis. The basil didn't come back after being replanted, and the catnip got sprinkled into one of the planters where it seems to be doing ok? I have some mint-looking sprouts coming up. Nearly all, if not all, of the peppers are doing great, though.

As i mentioned, it snowed last Tuesday (very common in this area) and it lingered for a day, plus the outside temperatures were very cold for a couple more days. Too cold to plant the rest of the babies. On Sunday, finally, it was decent enough and I said that's it, time to plant. It was right after the last pumpkin perished, and one zucchini wasn't looking too great. I had enough leftover pots from the homeowner's daughter that I was able to plant everything with what I had.

I was gonna dig up more of the front garden, but then the neighbour and I got talking, and she offered to do it for me. So I took her up on it lol. I will bring her something nice as a thank-you and/or pay her.

Books

I HAVE LOTS TO SAY ABOUT MY BOOKS. That's why I've put it here at the end, because I'm going to cut this before it gets any longer lol. After watching Shadow and Bone on Netflix, I jumped into the Six of Crows duology bc it was already on my to-read list. So many feeeeeeeelings )
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GM was still feeling "woozie" from his fall, so game is on hold again while we figure out scheduling.

It's been a little chilly, post-storm, to require some form of protective equipment like coats and mitts and hats, but OH it's been sunny. So sunny. And the sun is WARM. I love these early days of spring. The crows returned last week (they are migratory up here), alas so did the gulls, and I've been hearing chickadees every morning bc the sun is now above the horizon and they are happy about it too! Plus, I learned that blue jays can make a sound other than shrieking. Ahhhhhh :D

I was making buttonholes on my dress by hand, with the lone spool of buttonhole thread I have in a colour other than white. But Guido decided the dress was the perfect place to have a Very Serious Bath, followed by a Very Serious Nap, to the point that he didn't even wake up when we had ice cream! I got several rows knitted on my sweater instead. Yesterday I finished up the buttonholes, finally, so today I will attach buttons. Then it's just attach the collar I made for the shirtwaist, figure out that hem problem and tack down the sleeve facing.

And then it's petticoat time! I think I will actually cut down a skirt I made in the summer. I'd been thinking about it already, so it's gonna happen. And then ofc I will make MORE petticoats, bc who doesn't need at least three?

This project has got me thinking about personal style again. bygone_wardrobes posted a 'teens dress she made on instagram and it is just so stinking cute. I was reading one of the drafting manuals about proportions which helped clarify that I like the proportions of this era. I like the layers that go into it. I wondered if I could make something suitable for daily wear that wouldn't be out of place in a modern office.

I've been wearing high-waisted jeans to work this week, and remembered a line from an ep of Queer Eye about how most people who come out later in life tend to dress the way they had when they wished they could come out. This was said to a man in his late 30s or 40s who was dressing in board shorts and t-shirts. And this is REALLY timely for me bc 90s fashion is back in style again, and that's when I first started exploring my sense of self, but I'm also trying to avoid it bc its such a young look! I don't want to look or feel like I'm trying to recapture my youth.

That tied into with wondering about a new-old look. How can I simulate a corset for daily wear that's comfortable? How do I deal with the undergarments? I was reading about Our Girl History's union suit, which I could probably recreate as I have a rather obscene amount of cotton jersey... in kelly green, but it would work. I could even build it to work with a modern bra, as I have been wearing lightly padded wireless bras for months now.

BUT ALSO, from seeing a couple other non-binary or trans folx on ig post about their masculine-flavoured projects of late, I love it! What if I didn't tend towards feminine garments and made masculine ones instead? I could still do historical silhouettes, like early-century pants, that would pass for modern. I did find one set of dressmaking manuals that included a section on men's garments, including their own version of a union suit. I may need to experiment with this.
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Semi-rough weekend. I had a low-grade anxiety attack on Saturday that manifested in unpleasant dreams about people making demands of my time and attention, and otherwise "abandoning" me. Last night's unpleasant dreams were different, but still upsetting. I woke up a lot, and would drop back into the same dream. Coffee is gonna get me through the day.

I finished a sewing project! I got into a pattern test so I had finished my mock-up last weekend and started on the "real deal" with my modifications. It is 100% DONE - all facings done, buttons on, buttonholes done by hand (no one look at them, they're not pretty lol), and I even put a hook and eye on. And then, I was about to get dressed up to model the finished look, and decided that I had waited LONG ENOUGH TYVM and put a hook and bar on the skirt too lol. I can't share a photo yet, but ooo let me tell you, I looked goooooood. Now on to pattern hacking!

While I was looking through a period sewing manual, reading about how to finish the edges of a shirtwaist, I found a reference to making a buttonhole in the collar for a removeable collar. My brain went !!! bc I hadn't noticed this detail. I went to catalogues and sure enough - removable collars! So now I am trying to decide on the best look for this particular shirtwaist, and the ones I have planned for this project, to make a collar. I have some voile scraps, even a bit of bias (which is how the edge should be finished according to a 1921 dressmaking manual), that would be really pretty.

I really ought to finish my sacque too, but I got a little hung up on the trimming. I was overcomplicating it by narrow hemming the bands when they will be covered by some kind of trim, so I could just turn them to the right side and let the edges BE FREEEEEE since they will be covered anyway. That's a good couch project.
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The anxiety broke on Thursday, and it is such a relief to feel the tension slowly draining away. I used to feel like that ALL THE TIME, and then the spike of early March is 10 times worse. I drew a tarot card this morning just to "check in" (since I found my books yesterday), and I drew the Empress. Didn't really need to read the description to figure that out lol

Since the sacque has reached "miles of hemming" stages, I've decided to spend the bulk of my non-TV-watching sewing time working on other stuff. That made me think that I should switch back to my 20 in 20 project, and I only got a little ways into it yesterday before realizing that I needed a moment to brain out where I'm at and where I need to go. I wrote it out in a notebook, a little, but I'm especially here right now, on a Saturday, to type it more quickly. Stream o' Consciousness )
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So, I am one of those people that ENJOYS reading instructions (provided they are not extremely technical). Since the print shop is quiet right now, I've been poking through old instruction manuals on archive.org to my 20 in 20 project. this got real long and rambly. Oops. )
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Only counting business days bc I wouldn't be using it on weekends anyway lol. The last part required shipped on Friday! Fingers crossed it arrives SOOOOOOOOOOOON and we can get back up and running!

I started sewing my Amalia Jacket yesterday. My curtain panel was HORRIBLY off-grain. I folded it in half and one end was narrow while the other was wide, so I clipped off a line near the former hem and ripped it. And then used that as my grain marking. YIKES, it was so bad, like over 12" from one end to the other. I had to cut it in single layers. I was careful to keep the pattern as UNmatched as possible (as my first gown has big flowers in alignment across my chest) and because it had to be cut singly, I have only a couple of significant scraps. But I AM pleased that the single curtain was enough for a full jacket with a big fluffy skirt :3

[personal profile] mala_14 mentioned her delightful plaid and it made me think of the skirt I made back in December for my 20 in 20 project. I had hung it to let the bias hem stretch and just haven't got back to it yet. But now I'm EXTRA excited to hem it because my AD Bernadettes should be here this week! They won't match the plaid even a little bit but at least I'll get the height needed.

The plaid was also horrifically off grain and required a good pressing and stretching. And it's SO polyester that the red threads left a waxy residue in the bottom of the dish I burned it in lol.
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I just got word today that I will not be back to work until at least the middle of the month, and more likely longer. I missed my weekly existential crisis last week thanks to a killer migraine, so it's starting a little early today.

I've spent pretty much my entire time off this month learning about period pattern drafting. I made a few bodice mock ups and finally came up with a pair that fit me REALLY WELL, and I'm super pleased about that. The main book I've used is The Practical Designer by Isidor Rosenfeld, whose entire principle is based on proportions. Draft #1 (model size 36) was slightly small but fit well through the shoulder, draft #2 (short and stout 43) was also good, and #3 (size 38, proportioned for 5'8" since I have a long torso) was damn near perfect. #4 was directly patterned as a shirtwaist, and between another drafting system which discussed adding to a "base" for wearing ease and seams, the last two should serve my needs for the project.

I am very much NOT an expert in pattern drafting. I learned "how" from Japanese sewing manuals. This particular book is pretty easy to follow, despite the language being "flowery"

I did need to go to work last week so I was able to print out some of the patterns I purchased after the last time I was in. One of them was Wearing History's Elsie blouse, which did not turn out quite like I expected. Comparing it to my custom draft, something is off about it. Either the upper back is too long, or the back armscye is too deep, and the front armscye is too shallow cuz it pulls under my arm. it's cute, but I don't think its gonna work for me.

Yesterday I drafted skirts. Nearly every book I read on the topic, from the period, uses a "circle" foundation, which some changes depending on styling. I didn't spend too long with it though, and I think I need to shorten them up a bit yet. My petticoat is gonna need a tuck lol.

I know I'm getting a little stressed with all the details of a project I didn't plan, because I keep wandering away to other projects, like draping a new 1830s bodice, and circular drafting for stays, and and and...
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Back in February, I was noodlin' around with [profile] sewloud and [personal profile] ktlovely about a project I wanted to do. Since I got the treadle table for my 1919 Singer 115, I thought it would be "fun" to make a wardrobe as a contemporary home seamstress might on her brand new sewing machine. Each piece would be made on the treadled machine or by hand, as needed. Since it was 2020, an extra layer of "1920 in 2020", with 20 pieces to be made, was going to be the whole of the project.

2020 had other plans, naturally. Even though I'm reasonably sure I thought this up after my apartment flood, I was not expecting for the apartment to take as long as it did, Nicole to be moving and therefore me, or Covid-19. I never got past the initial excitement of "20in20". But now that I've been home from work and my brain has had time to noodle a bit more, I've been working on it again.

I only had a few ideas, initially. 1: Treadle machine. 2: Stash only as much as possible. 3: 20 pieces over the year. I had downtime at work so I started looking through catalogues on Archive.org, primarily by Eaton's, a now-defunct Canadian retailer. It was so interesting looking through them, as they really were a powerhouse of modern shopping at the tiime. Stuff for your car! Stuff for your bicycle! Stuff for your horse! Farm equipment! Modern luxuries like state of the art stoves and ovens! And the descriptions are often HILARIOUS. Such an interesting look at the past.

Changes had to be made, though. The table and machine were minor casualties of the flood, and require some restoration work before I can use them. I don't have the right bobbin case for the machine; the one I have is a repro from a different machine that fits but doesn't work overly well. Instead, I am doing most of the sewing on a 1956 Singer 301A. Aside from being electric and the ability to go backwards, the two machines are very similar. I still need to use my modern Janome, however, as the 301A has a slanted shank and some of the accessories I have don't fit. I've used a modern ruffler and a late 40s buttonholer on the Janome, and I am NEVER going back to the built in buttonholes again, the buttonholer works BEAUTIFULLY.

I purchased a few patterns for the project but I'm also using some period sewing manuals and catalogues as inspiration. I started a spreadsheet to compare common themes over the several pages of catalogue that cover a certain item (so far, only skirts and petticoats), like what sizes and lengths were available. I was able to put together combos, a corset, corset cover and a petticoat from what I already have, but now that I'm gearing up for the other layers, it's time for more research!

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